Conference on Sound, Ecology, and Media Culture
main goal of The Global Composition 2018 is to bring together
transdisciplinary high-level research of scholars, scientists, artists,
designers and engineers.
Moreover, participants will be
able to discuss innovative cultural and educational practices as well as
soundscape artworks by pedagogues and media makers.
inspiring blend of intellectual analysis, practical design, engaged
environmental, social and political work as well as artistic production
is what constitutes the essence of Soundscape Studies and Acoustic
In order to create occasions for intense auditory
experiences in a conference on listening, The Global Composition 2018
plans to offer daily listening workshops. The workshops will
introduce practically to some of Acoustic Ecology’s and Soundscape
Studies’ genuine methodologies, and – additionally to the auditory
experience they provide – will also reflect and analyze them. The
keynote workshops aim at fostering the instruments for aesthetic
facilitation/media cultural education, research, and creation, relaying
their methodologies to Acoustic Ecology’s core thoughts and intentions,
and – last but not least – discussing and adapting them, passing them on
to younger generations, and ensuring their future practicability.
Keynote workshops will be given by:
be supported by hFMA. Therefore participation for a limited number of
student from the hFMA-network can participate for free! More soon:
- Ioanna Etmektsoglu (Greece) (tbc)
- Eric Leonardson (USA)
- Hildegard Westerkamp (Canada)
Submit your proposals via EasyChair. Deadline for submission: 24.06.2018. Check out the call and the suggested topics here.